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The sanjo gayageum version of the instrument has closer string spacing and a shorter length to let musicians play the faster passages required for sanjo. [2] The sanjo gayageum is now the most widespread form of gayageum. [3] All traditional gayageum use silk strings, though since the late 20th century, some musicians use nylon.
Geomungo Gayageum. Gayageum (가야금; 伽倻琴) – A long zither with 12 strings; modern versions may have 13, 15, 17, 18, 21, 22, or 25 strings; Geomungo (거문고) – A fretted bass zither with six to eleven silk strings that is plucked with a bamboo stick and played with a weight made out of cloth
The first evidence of Korean music appeared in the extant text of Samguk sagi (History of the three kingdoms) in 1145, which described two string-like instruments; Gayageum and Geomungo. [1] Traditional Korean music was brought to heights of excellence under the kings of the Joseon dynasty between 1392 and 1897.
A man playing the đàn tranh beside the singer. The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen.
Hwang Byungki (31 May 1936, in Seoul – 31 January 2018) [1] was the foremost South Korean player of the gayageum, a 12-string zither with silk strings. He was also a composer and an authority on sanjo, a form of traditional Korean instrumental music.
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The Yatga descended from the Guzheng. [3] Historically, the twelve-stringed version was used at the royal court for symbolic reasons; the twelve strings corresponded to twelve levels of palace hierarchy. [1] The commoners had to play on a 10-stringed yatga. The usage of the 12 or more stringed version was reserved for the court and monasteries.
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