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Historical harp guitar players include Polish guitarist-virtuoso Marek Konrad SokoĊowski (1818-1884), the German composers and guitarists Adam Darr (1811–1866) and Eduard Bayer (1822–1908) and the Italian virtuosi Pasquale Taraffo (1887–1937), [2] [7] Mario Maccaferri, Italo Meschi (1887-1957) and Luigi Mozzani.
The concert harp is a technologically advanced instrument, particularly distinguished by its use of pedals, foot-controlled levers which can alter the pitch of given strings, making it chromatic and thus able to play a wide body of classical repertoire. The pedal harp contains seven pedals that each affect the tuning of all strings of one pitch ...
Sonata for Harp and Guitar (2014) Sketchbook of a Journey, for Harp and Guitar (2014) Chiaroscuro, for Harp, Viola and Guitar (2018) Lavender and Mulberry Sonatina, for Harp and Guitar (2018) Concert of the Seas, for Harp, Guitar and Orchestra (2018) Sonata No.2 for Harp and Guitar (2021) Sonata for Harp, Flute and Bassoon (2023) Leo Smit
A Collection of Songs, arranged for harp-lute, lyre, and guitar (c.1810); [2] Preludes, Exercises, and Recreations, for harp-lute solo (c.1810); [2] A New and Complete Directory to the Art of Playing on the British Lute-Harp (1817). It contains a full-page engraving showing the attitude of a performer, and a list of suitable compositions. [1]
The Gibson Style U was a harp guitar produced by the Gibson Mandolin-Guitar Company from 1902 until 1925. [2] The Style U was produced in several different configurations over the years, with the most common variation having ten sub-bass strings.
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The Gravikord is a 24 string electric double bridge-harp invented by Robert Grawi in 1984, [1] which is closely related to both the West African kora and the mbira. It was designed to employ a separated double tonal array structure making it possible to easily play cross-rhythms in a polyrhythmic musical style in a modern electro-acoustic ...
After the medieval harp, the Gothic harp became the popular style of harp in the Renaissance. These harps grew to be larger with more strings. Brays were added for resonance on lower bass strings. Throughout the seventeenth and eighteenth centuries, harp makers in Europe added levers and other mechanisms to increase chromatic capability of the ...