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  2. Rococo painting - Wikipedia

    en.wikipedia.org/wiki/Rococo_Painting

    Rococo painting represents the expression in painting of an ... the Rococo is a simple ... with a "plethora of ideas. [36] In this aesthetic of pleasure, sensuality ...

  3. Aestheticism - Wikipedia

    en.wikipedia.org/wiki/Aestheticism

    These ideas were imported to the English-speaking world largely through the efforts of Thomas Carlyle, whose Life of Friedrich Schiller (1825), Critical and Miscellaneous Essays and Sartor Resartus (1833–1834) introduced and advocated aestheticism while also, if not marking the earliest use of the word "aesthetic" in the English language ...

  4. Outline of aesthetics - Wikipedia

    en.wikipedia.org/wiki/Outline_of_aesthetics

    An history of aesthetics; The Concept of the Aesthetic; Aesthetics entry in the Routledge Encyclopedia of Philosophy; Philosophy of Aesthetics entry in the Philosophy Archive; Washington State Board for Community & Technical Colleges: Introduction to Aesthetics; Art Perception Complete pdf version of art historian David Cycleback's

  5. Conceptual art - Wikipedia

    en.wikipedia.org/wiki/Conceptual_art

    Marcel Duchamp, Fountain, 1917. Photograph by Alfred Stieglitz Robert Rauschenberg, Portrait of Iris Clert 1961 Art & Language, Art-Language Vol. 3 Nr. 1, 1974. Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work are prioritized equally to or more than traditional aesthetic, technical, and material concerns.

  6. Aesthetics - Wikipedia

    en.wikipedia.org/wiki/Aesthetics

    Slater holds that the "full field" of aesthetics is broad, but in a narrow sense it can be limited to the theory of beauty, excluding the philosophy of art. [1] Aesthetics typically considers questions of beauty as well as of art. It examines topics such as art works, aesthetic experience, and aesthetic judgment. [15]

  7. Art - Wikipedia

    en.wikipedia.org/wiki/Art

    Extreme Formalism is the view that all aesthetic properties of art are formal (that is, part of the art form). Philosophers almost universally reject this view and hold that the properties and aesthetics of art extend beyond materials, techniques, and form. [59] Unfortunately, there is little consensus on terminology for these informal properties.

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