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String Quartet No. 7 in E-flat (1945) String Trio No. 1, Op. 34 (1924) String Trio No. 2 (1933) Triosatz [retitled 'Rondo' by editor Siegfried Behrend] for three guitars (1925 or 1930) Trio for viola, heckelphone (or tenor saxophone) and piano, Op. 47 (1928) Wind Septet for flute, oboe, clarinet, bass-clarinet, bassoon, horn and trumpet (1948)
The Undivine Comedy, an opera in 17 scenes (1985–88/89), for soprano, mezzo-soprano, tenor, 2 baritones, 2 flutes (one doubling on piccolo, the other on alto flute), 2 oboes (one doubling on cor anglais), clarinet (doubling on E-flat clarinet and bass clarinet), 2 percussionists, electric organ (doubling on celesta), violin, viola, and cello ...
Three Sonatas for keyboard with violin: B flat, A, and G minor, Op. 1a (c1770) Sonata for harp with flute obligato, in E ♭ major; Sonata for harpsichord with violin obligato, in G major; Six Sonatas for violin accompanied by a second violin: B flat, E flat, A, G, B flat, A: Op. posth. Pleyel (1800)
Carl Andreas Göpfert, in his lifetime salaried Chamber Musician to the Duke of Saxe-Meiningen, excellent virtuoso on the clarinet and admirable composer, was born on 16 January 1768 in Rimpar near Würzburg, the son of a surgical officer. Initially taught singing, piano and organ by the local schoolmaster, his preference for the clarinet led ...
[3] [4] The piece had a total duration of 15 minutes and was scored for two flutes (with two piccolos), two oboes (second oboe doubling English horn), two clarinets in B-flat (first clarinet doubling clarinet in E-flat, second clarinet doubling bass clarinet), two bassoons (second bassoon doubling contrabassoon), two horns in F, two trumpets in ...
No. 2, for harp, clarinet, timpani bells (chimes or glockenspiel), and double bass (1963) Koke no Niwa, for English horn (or B flat clarinet), 2 percussion and harp (1954; rev. 1960) The Garden of Adonis, for flute and harp (or piano) (1971) Firdausi, for clarinet, harp and percussion (1972) Spirit of Tress, for harp and guitar (1983)
After Dubuffet's 'Limbour as a Crustacean,' B-flat clarinet and percussion (one player: snare, 3 tom-toms, marimba) (1979) Job 22:28, for two B-flat clarinets (1978) Buffalo Bill, for B-flat clarinet, friend (piano and spoken poetry), and tape (poem by e e cummings) (1978) Three Pieces for B-flat Clarinet and Piano (1977) Sargasso; Norwich ...
Clarinet part: p. 1 (in B-flat); p. 18 (in C). Note: Between measures 40 and 41 the full score and the clarinet part of the manuscript have an additional 14 bars not included in the published score. These were later stricken from the ms full score. The clarinet part notates this section in "two-part texture." (Meerwein)
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