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The Angelic Gospel Singers were an American gospel group from Philadelphia founded and led by Margaret Wells Allison. The group continued through Allison's death in 2008; the group was called "the longest consistently selling female gospel group in African American history" by the Encyclopedia of American Gospel Music.
List of gospel songs which have reported sales of 1 million units or higher but are uncertified by the Recording Industry Association of America (RIAA). Though "I'll Take You There" by The Staple Singers was certified Gold on January 31, 2019, for digital sales of 500,000 units, [4] its physical sales of 1.5 million units, reported on May 6, 1972, are uncertified by the RIAA.
This list includes artists that perform in traditional gospel music genres such as Southern gospel, traditional black gospel, urban contemporary gospel, gospel blues, Christian country music, Celtic gospel and British black gospel as well as artists in the general market who have recorded music in these genres
A founding member of the Five Blind Boys of Alabama and their best-known lead singer, Clarence Fountain launched his six-album (give or take) solo career with these exuberant sessions.
Another Malaco gamble in the late 1970s was targeting the gospel market again with the Jackson Southernaires. The gamble paid off, and other premium gospel artists signed on, including the Soul Stirrers, The Sensational Nightingales, The Williams Brothers, The Truthettes, Willie Banks and the Messengers and the Angelic Gospel Singers. [1]
The rich history of Black gospel music. Black gospel music traces its roots back to slavery when enslaved people sang call-and-response songs such as “Roll, Jordan, Roll” and “Swing Low ...
James Edward Cleveland (December 5, 1931 – February 9, 1991) was an American gospel singer, musician, and composer. Known as the "King of Gospel," Cleveland was a driving force behind the creation of the modern gospel sound by incorporating traditional black gospel, soul, pop, and jazz in arrangements for mass choirs.
My music supervisor, Derryck Thornton, and I then just pored through tons of songs, and asked teams of songwriters to flip them into gospel arrangements for each team.
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