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As a bipack color process, the photographer loaded a standard camera with two film stocks: an orthochromatic strip dyed orange-red and a panchromatic strip behind it. The orthochromatic film stock recorded only blue and green, and its orange-red dye (analogous to a Wratten 23-A filter) filtered out everything but orange and red light to the panchromatic film stock.
Instant color film was introduced by Polaroid in 1963. Like Polaroid's contemporary instant black-and-white film, their first color product was a negative-positive peel-apart process which produced a unique print on paper. The negative could not be reused and was discarded.
Used commercially from 1909 to 1915, it was invented by George Albert Smith in 1906. [1] [2] It was a two-colour additive colour process, photographing a black-and-white film behind alternating red/orange and blue/green filters and projecting them through red and green filters. [3]
Still from test film made by Edward Turner in 1902, as secret technology. Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
1942 – Kodacolor, the first color film that yields negatives for making chromogenic color prints on paper. Roll films for snapshot cameras only, 35 mm not available until 1958. 1947 Dennis Gabor invents holography. Harold Edgerton develops the Rapatronic camera for the U.S. government. 1948 The Hasselblad camera is introduced.
In 1912, French film entrepreneur and inventor Léon Gaumont unveiled Chronochrome, a full-color additive system. The camera used three lenses with color filters to photograph red, green and blue color components simultaneously on consecutive frames of one strip of 35 mm black-and-white film. The projector had a corresponding triad of lenses.
Technicolor introduced Monopack, a single-strip color reversal film (a 35 mm lower-contrast version of Kodachrome) in 1941 for use on location where the bulky three-strip camera was impractical, but the higher grain of the image made it unsuitable for studio work. Eastman Kodak introduced its first 35 mm color motion picture negative film in 1950.