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Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern KyÅ«shÅ«.
In addition to the colored painting known as "Iro-Nabeshima," occasionally "blue-and-white" designs using cobalt blue, celadon or a rusty glaze are known to exist. The most common "Iro-Nabeshima" is a technique in which a design is painted over a vessel with a blue-and-white design, and then the vessel is fired again with a low-temperature ...
It is known mainly for its sometsuke underglaze cobalt blue and white porcelain, with the amount of blue often low, showing off the detailed modelling and the very fine white colour of the porcelain. This has a finer grain than most Japanese porcelains, allowing fine detail and thin and complicated openwork in forms.
Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably the cobalt blue of blue and white porcelain. Many historical styles, for example mina'i ware, Imari ware, Chinese doucai, and wucai, combine the two types of decoration. [1]
Bodhisattva giving up his life so that a tiger family can feed their cubs; illustration of a Jataka tale on the base of the Tamamushi Shrine. The term "National Treasure" has been used in Japan to denote cultural properties since 1897, [1] [2] although the definition and the criteria have changed since the introduction of the term.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
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