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Increasingly, however, it was Freud's idea of fantasy as a kind of "screen-memory, representing something of more importance with which it was in some way connected" [18] that was for him of greater importance. Lacan came to believe that "the phantasy is never anything more than the screen that conceals something quite primary, something ...
Derived from a set of booklets published in the 1920s and 1930s by the Psychological Press, the book seeks to help traditionally-minded women to make their marriages "a lifelong love affair". [3] According to Time magazine, Andelin wrote Fascinating Womanhood when "she felt her own marriage wasn't the romantic love affair she had dreamed of." [4]
Whether we want to admit it or not, most everyone has had at least one sexual fantasy—and contrary to what societal norms say, the imagination game is routine human behavior.
The biology of romantic love has been explored by such biological sciences as evolutionary psychology, evolutionary biology, anthropology and neuroscience.Specific chemical substances such as oxytocin and dopamine are studied in the context of their roles in producing human experiences, emotions and behaviors that are associated with romantic love.
The ancient Chinese told their children that love could take out your heart. Romantic love, in older human cultures, was often something dark. It involved physical dissolution, the sense of falling apart. It made us act irrationally and tore a hole into the neatly woven fabric of our lives, beckoning us to step through it into a land of terrors.
Unlike the work which led her to her own studies, Gilligan's In a Different Voice purports to take account of both men and women. She strives to emphasize that women, like men, are capable of thinking and acting in a manner associated with justice, and women with elements more associated with the value of care.
In the late 1800s and early 1900s, a new breed of women started to emerge from the depths of circus tents around the world: the strong-woman. These women quickly drew large crowds of circus lovers ...
As Rowling projected the full extent of her creativity on screen, however, she left little room for audiences to use their own imaginations, depriving us of the best thing about her books.