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Ipilja-ipilja 100ft gecko of Anindilyakwa myth. Adorned with hairs and whiskers. Spews swamp water to make the clouds of the sky, thunder is ipilja-ipilja's roaring. Ipilja-ipilja's home is a swamp filled with deadly waters. Similar to legends of maratji by Tiwi and Iwaidja people.
Aboriginal specialists willing to generalise believe all Aboriginal myths across Australia, in combination, represent a kind of unwritten library within which Aboriginal peoples learn about the world and perceive a peculiarly Aboriginal 'reality' dictated by concepts and values vastly different from those of western societies: [19]
Aboriginal stencil art showing unique clan markers and dreamtime stories symbolising attempts to catch the deceased's spirit. The beginnings of Australian mythology center on the Aboriginal belief system known as Dreamtime, which dates back as far as 65,000 years. Aboriginals believed Earth was created by spiritual beings who physically ...
Australian folklore refers to the folklore and urban legends that have evolved in Australia from Aboriginal Australian myths to colonial and contemporary folklore including people, places and events, that have played part in shaping the culture, image and traditions that are seen in contemporary Old Australia.
Pages in category "Australian Aboriginal mythology" The following 53 pages are in this category, out of 53 total. This list may not reflect recent changes. A.
Australian raven (Corvus coronoides). In Australian Aboriginal religion and mythology, Crow is a trickster, culture hero and ancestral being. In the Kulin nation in central Victoria he is known as Waang (also Wahn or Waa) and is regarded as one of two moiety ancestors, the other being the more sombre eaglehawk Bunjil.
The Dreaming, also referred to as Dreamtime, is a term devised by early anthropologists to refer to a religio-cultural worldview attributed to Australian Aboriginal mythology. It was originally used by Francis Gillen , quickly adopted by his colleague Sir Baldwin Spencer and thereafter popularised by A. P. Elkin , who, however, later revised ...
In modern art, red ochre is a primary material for many Aboriginal artists through its distinctive red colour and sheen quality. [4] The ochre from Adnoartina’s story is especially valued through the spiritual link to Aboriginal mythology. [4] This particular red ochre is called 'yamparnu' in the Aboriginal language. [4]
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