Search results
Results from the WOW.Com Content Network
Aristippus obtained money and troops from Cyrus the Younger to resist a faction opposed to him, and placed the general Meno, who is described in ancient sources as Aristippus's lover, in command over these forces. [1] [2] [3] [4]
Meno (/ˈmiːnoʊ/; Greek: Mένων, Menōn; c. 423 – c. 400 BC), son of Alexidemus, was an ancient Thessalian political figure, probably from Pharsalus. [1]He is famous both for the eponymous dialogue written by Plato and for his role as one of the generals leading different contingents of Greek mercenaries in Xenophon's Anabasis.
If We Were a Movie" debuted on the Billboard Hot 100 at its peak of forty-seven, thus becoming Cyrus as Montana's highest charting song from the album, and one of the songs to make Cyrus the first act to have six songs debut on the Billboard Hot 100 in the same week. [6] It dropped from the chart in the succeeding week. [7]
Meno (/ ˈ m iː n oʊ /; Ancient Greek: Μένων, Ménōn) is a Socratic dialogue written by Plato around 385 BC., but set at an earlier date around 402 BC. [1] Meno begins the dialogue by asking Socrates whether virtue (in Ancient Greek : ἀρετή , aretē ) can be taught, acquired by practice, or comes by nature . [ 2 ]
Roger W. Hill [1] [2] (July 31, 1949 [3] – February 20, 2014) was an American stage, film and television actor. Beginning his acting career in the early–1970s, Hill is best known for his role as Cyrus in the 1979 action thriller film The Warriors.
Love That Lets Go" is a duet with Cyrus' father Billy Ray Cyrus (who also portrays Miley's father, Robbie Ray Stewart, on Hannah Montana) and was composed by Adam Anders and Nikki Hassman. [14] "I'm Still Good" and "Been Here All Along" were written by Jennie Lurie, Aris Archontis, and Chen Neeman.
"Week Without You" is a song by American singer Miley Cyrus. It was released on September 21, 2017, through RCA Records, as the second promotional single from Cyrus' sixth studio album, Younger Now. [1] As of September 2017, the song has moved around 3,400 digital copies in the United States according to Nielsen SoundScan. [2]
The AllMusic review by Matt Collar stated: "the album finds Chestnut once again delving deep into his own colorfully chorded and swinging set of well-chosen cover songs. . Although in his mid-fifties at the time of recording, Chestnut nonetheless wanted to record an album in which he could commune with musicians who were slightly older and more seasoned than himself