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A chaplet is a headdress in the form of a wreath made of leaves, flowers or twigs woven into a ring. [1] It is typically worn on festive occasions and on holy days. In ancient times a chaplet also served as a crown representing victory or authority.
A wreath worn for purpose of attire (in English, a "chaplet"; [1] Ancient Greek: στέφανος, romanized: stéfanos, Latin: corona), [2] is a headdress or headband made of leaves, grasses, flowers or branches. It is typically worn on celebrations, festive occasions and holy days, having a long history and association with ancient pageants ...
A shoulder cape is thus sometimes called a "capelet". The fashion cape does not cover the front to any appreciable degree. The fashion cape does not cover the front to any appreciable degree. In raingear, a cape is usually a long and roomy protective garment worn to keep one dry in the rain.
Camlet, also commonly known as camlot, camblet, or chamlet, is a woven fabric that might have originally been made of camel or goat's hair, later chiefly of goat's hair and silk, or of wool and cotton. [1] The original form of this cloth was very valuable; the term later came to be applied to imitations of the original eastern fabric. [2]
An Inverness cape worn with Highland dress, 2007 Tacoma Highland Games. Even though a wide variety of coats, overcoats, and rain gear are worn with Highland dress to deal with inclement weather, the Inverness cape has come to be almost universally adopted for rainy weather by pipe bands the world over, and many other kilt wearers also find it to be the preferable garment for such conditions.
William Curtis Noyes wears an overcoat with very wide lapels, wide cuffs, a contrasting (probably velvet) collar, and braid trim over a frock coat, waistcoat, and trousers which appear to be made of matching fabric. The ends of his large necktie are loosely looped and secured with a stickpin, and then tucked into his waistcoat. 1855–1865.
The meaning of these gorgeous flowers varies depending on the hue. Purple lilacs represent the first emotions of love while magenta lilacs symbolize love and passion, perfect for a more serious lover.
The pattern was only used only for status and royal ceremonies, but gradually became a commonly used design in Akwete weaving. Upon the arrival of Christianity to Akwete, weavers crafted the "Ikperendioma" pattern, meaning "the good people's knees". This motif displayed kneeling Christians worshiping in a churchlike setting.
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