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The following is a partial discography of the opera The Magic Flute (Die Zauberflöte) by Wolfgang Amadeus Mozart. It was composed and first performed in 1791, the year of the composer's death. Since the first complete recordings in 1937, the opera has been recorded many times.
On 28 December 1791, three and a half weeks after Mozart's death, his widow Constanze offered to send a manuscript score of The Magic Flute to the electoral court in Bonn. Nikolaus Simrock published this text in the first full-score edition (Bonn, 1814), claiming that it was "in accordance with Mozart's own wishes" ( Allgemeine musikalische ...
Playbill for the opening performance of Die Zauberflöte, 30 September 1791. Wolfgang Amadeus Mozart's operas comprise 22 musical dramas in a variety of genres. [a] They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed ...
The first page of the aria in Mozart's hand, from 1791. Click to enlarge. " Dies Bildnis ist bezaubernd schön" ("This image is enchantingly lovely") is an aria from Wolfgang Amadeus Mozart's 1791 opera The Magic Flute. The aria takes place in act 1, scene 1, of the opera.
Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated "Der Hölle Rache", is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera The Magic Flute (Die Zauberflöte). It depicts a fit of vengeful rage in which the Queen of the Night places a knife ...
Studios presents The Magic Flute by Florian Zigl, executive produced by Roland Emmerich, at 325 theaters with expansion likely. A reimagining of the Mozart opera, it follows a present-day teen ...
Schikaneder playing the role of Papageno in The Magic Flute. Engraving by Ignaz Alberti. The Magic Flute is a celebrated opera composed in 1791 by Wolfgang Amadeus Mozart. Mozart employed a libretto written by his close colleague Emanuel Schikaneder, the director of the Theater auf der Wieden at which the opera premiered in the same year. (He ...
“That was recorded as a full concert; from the Hammer song to ‘Baby Blue,’ it was one run,” Caplan said, adding, “I think it gave it a special live real magic.