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The augmented sixth interval is typically between the sixth degree of the minor scale, ♭, and the raised fourth degree, ♯.With standard voice leading, the chord is followed directly or indirectly by some form of the dominant chord, in which both ♭ and ♯ have resolved to the fifth scale degree, .
The augmented sixth chord can either be the Italian sixth It +6, which is enharmonically equivalent to a dominant seventh chord without the fifth; the German sixth Gr +6, which is enharmonically equivalent to a dominant seventh chord with the fifth; or the French sixth Fr +6, which is enharmonically equivalent to the Lydian dominant without the ...
Augmented sixth Play ⓘ.. In music, an augmented sixth (Play ⓘ) is an interval produced by widening a major sixth by a chromatic semitone. [1] [4] For instance, the interval from C to A is a major sixth, nine semitones wide, and both the intervals from C ♭ to A, and from C to A ♯ are augmented sixths, spanning ten semitones.
C, E, G, B ♭ would resolve to C ♯, E, F ♯, B ♭ = A ♯; again, two tones are common (with enharmonic change), two voices move by half-step in contrary motion. This is called tritone substitution when the target chord replaces (or is inserted before) the original chord in a chord progression. Regular resolution Play ⓘ. One common tone ...
An augmented sixth chord contains the interval of an augmented sixth above its bass. The chord was occasionally used in the Baroque and became a distinctive part of the musical style of the Classical and Romantic periods.[1] The chord developed as a chromaticised version of two of the three "pre-dominant" chords—ii and iv—in the minor mode.
That is, in C major the Australian 6th might be F-Ab-B-D#, and the Sydney 6th would then be F-Ab-C-D#. I'm sure I've seen both in actual music, but examples are not particularly common. The 'Australian Sixth' is just an inverted enharmonic half-diminished seventh chord and the 'Sydney Sixth' is just an inverted enharmonic minor seventh chord.
An inverted chord is a chord with a bass note that is a chord tone but not the root of the chord. Inverted chords are noted as slash chords with the note after the slash being the bass note. For instance, the notation C/E bass indicates a C major triad in first inversion i.e. a C major triad with an E in the bass.
The term sixth chord refers to two different kinds of chord, the first in classical music and the second in modern popular music. [1] [2]The original meaning of the term is a chord in first inversion, in other words with its third in the bass and its root a sixth above it.