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The Other is a 1972 American horror [4] psychological thriller film, much in the vein of Stephen King and The Twilight Zone, directed by Robert Mulligan, adapted for film by Thomas Tryon from his 1971 novel of the same name.
[3] [4] She co-edited Feminism and Materialism (1978) with AnnMarie Wolpe, was part of the founding editorial collective of Feminist Review (1979- ) and was a member of the women's photography group Second Sight. [5] In the mid-1970s, Kuhn began writing, teaching and publishing in film studies, often from a feminist standpoint.
As of recent years many believe feminist film theory to be a fading area of feminism with the massive amount of coverage currently around media studies and theory. As these areas have grown the framework created in feminist film theory have been adapted to fit into analysing other forms of media. [22]
Trinh T. Minh-ha (born 1952 in Hanoi; Vietnamese: Trịnh Thị Minh Hà) is a Vietnamese filmmaker, writer, literary theorist, composer, and professor.She has been making films for over thirty years and may be best known for her films Reassemblage, made in 1982, and Surname Viet Given Name Nam, made in 1985.
In 1977 a book with portraits was released called 'Emergence' by photographer Cynthia MacAdams which captured women embracing feminism by shedding cultural restrictions. [7] [8] The documentary revisits those photos and those women, and contains interviews with women such as Jane Fonda, Lily Tomlin and Judy Chicago, and at the same time tackling topics such as identity, abortion, race ...
Angelica Jade Bastién is an American essayist and critic. She is a staff writer for Vulture, where she has reviewed film and written television recaps since 2015.Bastién also frequently discusses horror and depictions of women and madness.
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The Feminist on Cellblock Y is an American documentary directed by Contessa Gayles and produced with Emma Lacey-Bordeaux for CNN.The titular subject is Richie Reseda, an 25 year old man incarcerated at a prison in California who studies and organizes around feminism and toxic masculinity with his fellow young incarcerated men.