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Possible depiction of al-Hariri, in the Maqamat of al-Hariri, 1237 CE, probably Baghdad. Iraqi art is one of the richest art heritages in world and refers to all works of visual art originating from the geographical region of what is present day Iraq since ancient Mesopotamian periods.
Salīm, N., Iraq: Contemporary Art, Volume 1, Sartec, 1977; Mathaf Encyclopedia of Modern Art and the Islamic World, Online: Shabout, N., "Ghosts of Futures Past: Iraqi Culture in a State of Suspension," in Denise Robinson, Through the Roadbloacks: Realities in Raw Motion, [Conference Reader], School of Fine Arts, Cyprus University, (23-25 ...
Said provided evidence that Baghdadi was the earliest Iraqi artist to combine the Eastern tradition of miniature art with Western art methods, thereby predating the modern Iraq art movement by almost a century. [2] He was a Sufi (Muslim mystic) of the Mawlawi order, [3] who was a master calligrapher in the Persian tradition. [4]
Born in Baghdad in 1926 into a poor family, Khaled al-Rahal grew up on Baghdad's streets and alleyways which became an important influence on his life and art. [1] He was an acute observer of daily Iraqi life, and a regular visitor to the Iraqi Museum, established in 1939, where he showed great interest in Iraq's ancient sculptures, particularly Assyrian and Mesopotamian reliefs.
Founded in the 1950s by artists, Jawad Saleem and Shakir Hassan Al Said, members of the group believed that the Mongol invasion of the 13th-century represented a "break in the chain of pictorial Iraqi art" [29] and wanted to reassert a national identity and build a distinctive Iraqi identity which referenced heritage and tradition. [30]
Faeq Hassan (also known as Faiq Hassan, Fayiq Hassan or Faik Hassan) (1914–1992) was an Iraqi painter noted for founding several 20th century art groups, which collectively were responsible for bridging the gap between Iraqi heritage and traditional art and modern art. He is often called the 'father of Iraqi modern art.'
The Baghdad Modern Art Group wanted to connect modern art with traditional art of the 13th-century (in the manner of the Baghdad School). The philosophy behind Iraq's early art groups was the desire to connect Iraq's ancient art traditions with international trends in a way that contributed to a truly national Iraqi visual language.
Ismail Fatah Al-Turk ("Ismail Fatah") (1934 or 1938–2004) was an Iraqi painter and sculptor born in Basra, Iraq, noted for his abstract art, monumental sculpture, and public works and as part of the Baghdad Modern Art Group, which fostered a sense of national identity. [1] His monument, al-Shaheed Monument is the most iconic public monument ...
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