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Pottery decorated using this technique is known as transferware or transfer ware. It was developed in England from the 1750s on, and in the 19th century became enormously popular in England, though relatively little used in other major pottery-producing countries. The bulk of production was from the dominant Staffordshire pottery industry ...
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
Ridgway Pottery later merged with the Booths & Colclough China Company during the 1940s, and later became a part of Royal Doulton in 1972. Transfer-printed creamware plate, c 1814–30, John and William Ridgway
William Shaw George purchased the controlling interest in the East Palestine Pottery Company from the Sebring brothers in 1904, renaming the company The W. S. George Pottery Company. In 1910 the company opened a manufacturing facility in Canonsburg, Pennsylvania ("Plant #2"), and in 1914 another facility was opened in Kittanning, Pennsylvania ...
Typical "Wedgwood blue" jasperware plate with white sprigged reliefs. Wedgwood pieces (left to right): c. 1930, c. 1950, 1885 Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 [1] by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. [2]
SearSmart Ceramic Nonstick 10-Piece Cookware Set. Some ceramic cookware can’t take the heat, but that definitely isn’t the case for the GreenPan SearSmart 10-Piece Set, which includes a ...
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
The bulk export wares of the 18th century were typically teawares and dinner services, often blue and white decorated with flowers, pine, prunus, bamboo or with pagoda landscapes, a style that inspired the willow pattern. [26] They were sometimes clobbered (enamelled) in the Netherlands and England to enhance their decorative appeal. [27]
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