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Pacific Heights (film) Paperhouse (film) The Peacemaker (1997 film) Pearl Harbor (film) Pirates of the Caribbean: At World's End; Pirates of the Caribbean: Dead Man's Chest; Pirates of the Caribbean: On Stranger Tides; The Pledge (film) Point of No Return (1993 film) The Power of One (film) The Preacher's Wife; The Prince of Egypt; Prisoner of Rio
Award-winning German composer and music producer Hans Zimmer has composed and produced over one hundred soundtracks and film scores. Of them, about 50 soundtracks and songs were nominated for awards. Of them, about 50 soundtracks and songs were nominated for awards.
Hans Florian Zimmer (German pronunciation: [ˈhans ˈfloːʁi̯aːn ˈtsɪmɐ] ⓘ; born 12 September 1957) [2] [3] is a German film score composer and music producer. He has won two Oscars , four Grammys , and has been nominated for three Emmys and a Tony .
Films scored by Hans Zimmer (164 P) T. Television shows scored by Hans Zimmer (18 P) Pages in category "Works by Hans Zimmer" This category contains only the ...
"He's a Pirate" is a 2003 track composed by Klaus Badelt and Hans Zimmer for the 2003 Disney film Pirates of the Caribbean: The Curse of the Black Pearl. It is featured on the soundtrack album of the film and is used at the beginning of the credits for the film.
Dune: Part Two (Original Motion Picture Soundtrack) is the soundtrack album composed by Hans Zimmer for the 2024 film Dune: Part Two by Denis Villeneuve.It was released by WaterTower Music on February 23, 2024, one week before the film's theatrical release in the United States.
Some of the cues he composed were debuted at the featurette that showcased at the Hall H in San Diego Comic-Con. [6] In a September 2023 interview with MIT Technology Review, Edwards revealed that he initially planned on having a company specializing in AI-generated music replicate Zimmer's style of film score. The company provided him with a ...
The score was composed and created by Hans Zimmer, who collaborated with Lorne Balfe, Andrew Kawczynski, Steve Mazzaro, and Benjamin Wallfisch to provide additional music. [2] [3] It was recorded at a 11-month period during early-2016 and several instrumentation and sounds were modified to create intensity in the score.