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In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 51 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
The arms of Shiva express mudras (symbolic hand gestures), [38] that are used in Bharatanatyam. [ 10 ] [ 39 ] The early 12th century ancient Sanskrit text Manasollasa discusses about the dancing movements like Natya , Tandava , Lasya , Laghu , Visama and Vikata, This discussion is similar to the content found in Natya Shastra .
In all their forms of Indian classical dance, the mudras are similar, though the names and uses vary. There are 28 (or 32) root mudras in Bharatanatyam, 24 in Kathakali and 20 in Odissi. These root mudras are combined in different ways, like one hand, two hands, arm movements, body and facial expressions.
It is a part of Indian classical dance postures such as Bharatanatyam, [1] yoga practice, [2] and forms part of the greeting Namaste. Among the performance arts, Anjali Mudra is a form of non-verbal, visual communication to the audience. It is one of 24 samyukta mudras of the Indian classical arts. [1]
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
The dance has traditionally been a form of an interpretive narration of mythical stories, religious and spiritual ideas from the Hindu texts. [31] A traditional Bharatanatyam dance performance follows a seven to eight-part order of presentation called margams. [37]
Natarajasana (Sanskrit: नटराजासन, romanized: Naṭarājāsana), Lord of the Dance Pose [1] or Dancer Pose [2] is a standing, balancing, back-bending asana in modern yoga as exercise. [1] It is derived from a pose in the classical Indian dance form Bharatnatyam, which is depicted in temple statues in the Nataraja Temple, Chidambaram.
Temple dance denotes a religious performance held in the temples, such as sadir, prescribed by Agamas (scriptures that codified temple rituals, etc.). [ 1 ] [ 2 ] Traces of these ancient temple dances of India are seen in Bharatanatyam and Odissi .