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In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art.
The formalist theory of art asserts that we should focus only on the formal properties of art—the "form", not the "content". [4] Those formal properties might include, for the visual arts, color, shape, and line, and, for the musical arts, rhythm and harmony.
The Formalist’s Formalist: On Viktor Shklovsky by Joshua Cohen Reading Viktor Shklovsky with a little bit about Jonathan Franzen by Martin Riker, Context #13 An excerpt from the essay "Art as Technique" (An alternate translation of "Iskusstvo kak priyom")
Soon after Bell met Roger Fry, he developed his art theory significant form.The two shared a passion for contemporary French art. Bell's book Art (1914) was the first publication of his theory, which he describes as "lines and colours combined in a particular way, certain forms, and relations of forms, that stir our aesthetic emotions."
Formalism (art), that a work's artistic value is entirely determined by its form Formalism (music) Formalist film theory, focused on the formal, or technical, elements of a film; Formalism (literature) New Formalism, a late-20th century movement in American poetry – sometimes called simply "Formalism"
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
According to the Russian formalists who coined the term, it is the central concept of art and poetry. The concept has influenced 20th-century art and theory, ranging over movements including Dada, postmodernism, epic theatre, science fiction, and philosophy; additionally, it is used as a tactic by recent movements such as culture jamming.
"Against Interpretation" is Sontag's influential essay in Against Interpretation and Other Essays, which discusses the divisions between two different kinds of art criticism and theory: formalist interpretation and content-based interpretation. Sontag is strongly averse to what she considers to be contemporary interpretation, that is, an ...