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The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris.The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made", [1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and ...
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
The Virgin and Laughing Child, also called The Virgin with the laughing Child, or generally abbreviated as another of many depictions of the Virgin and Child, [1] is a statuette originating in Florence and was made circa 1460. [1] It is a terracotta figure of the Virgin Mary carrying the laughing child Jesus Christ. [1]
The Virgin and Child are shown accompanied by the saints Stephen, Jerome, and Maurice. [2] Gronau thinks that this picture may belong to the period about 1508 to 1510. [2] The Louvre dates it to between 1510 and 1525. [1] The type of the Virgin here is like the one in the Madrid Sacra Conversazione and the Annunciation in Treviso. [3]
Two studies of the Virgin and Child, Musée Condé. The composition is painted on a long and narrow panel. On the lower right of the painting, an old man is sleeping near a crucifix. He can be identified as Saint Jerome by his traditional symbols, i.e. the cardinal hat and a skull. [2]
The work is part of a series of sacred conversations in a landscape, dating back more or less to the same years made by Titian. In the Edinburgh canvas too, the pictorial space is divided into two asymmetrical halves, one dominated by shadow and other by an open landscape; in the foreground, the luminous figures of the Virgin and Child stand out, between the two saints arranged around her with ...
The Mystic Marriage of St. Catherine (or Virgin and Child with Saints Catherine of Alexandria and Barbara) is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York. The Virgin Mary sits on a throne in a garden holding the Child Jesus in her lap.
The adoration of the Child is staged in a rural landscape with a predominantly horizontal development. Mary is at the centre praying towards her son, on her knees, between a group of saints in several poses. From left to right, the adoring saints are Francis of Assisi, Jerome and Anthony Abbot. [2]
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