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Ambition is a character trait that describes people who are driven to better their station or to succeed at lofty goals. It has been categorized both as a virtue and as a vice. The use of the word "ambitious" in William Shakespeare 's Julius Caesar (1599), for example, points to its use to describe someone who is ruthless in seeking out ...
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
The Tragedy of Macbeth, often shortened to Macbeth (/ m ə k ˈ b ɛ θ /), is a tragedy by William Shakespeare. It is thought to have been first performed in 1606 . [ a ] It dramatises the physically violent and damaging psychological effects of political ambitions to power.
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
[143] [144] [145] In Macbeth, the shortest and most compressed of Shakespeare's tragedies, [146] uncontrollable ambition incites Macbeth and his wife, Lady Macbeth, to murder the rightful king and usurp the throne until their own guilt destroys them in turn. [147] In this play, Shakespeare adds a supernatural element to the tragic structure.
The "thesis statement" comes from the concept of a thesis (θέσῐς, thésis) as it was articulated by Aristotle in Topica. Aristotle's definition of a thesis is "a conception which is contrary to accepted opinion." He also notes that this contrary view must come from an informed position; not every contrary view is a thesis. [3]
Throne of Blood, a Japanese version filmed in 1958 by Akira Kurosawa, replaces the Three Witches with the Forest Spirit, an old hag who sits at her spinning wheel, symbolically entrapping Macbeth's equivalent, Washizu, in the web of his own ambition. She lives outside "The Castle of the Spider's Web", another reference to Macbeth's entanglement ...
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.