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616 film was originally produced by Kodak in 1932 for the Kodak Six-16 camera. Seventy millimetres wide, the 616 film produced 63.5 mm × 108 mm (2.5" × 4.25") negatives, about the size of postcards and appropriate for making a contact print without the need for an enlarger. It is the same format as that of 116 film but on a slimmer spool, for ...
Today on Amazon, you can score a great deal on devices that finally let you marry old family photos with modern technology. Make old memories new again with this brilliant Kodak scanner—it's 30 ...
Today only, the Kodak Scanza Scanneris on sale for a whopping 44 percent off at Amazon. The popular film scanner turns all of your memories into digital files, and is just $128 (was $230) right now.
Kodak claims that Kodacolor was "the world's first true color negative film". [1] More accurately, it was the first color negative film intended for making paper prints: in 1939, Agfa had introduced a 35 mm Agfacolor negative film for use by the German motion picture industry, in which the negative was used only for making positive projection ...
The Cineon System was one of the first computer based digital film systems, created by Kodak in the early 1990s. It was an integrated suite of components consisting a motion picture film scanner, a film recorder and workstation hardware with software (the Cineon Digital Film Workstation) for compositing, visual effects, image restoration and color management.
Printing the photos can present problems, because modern film processing equipment often cannot handle the square format of 126 film. Some specialist photographic printers can correctly handle it. Standard flatbed scanners that have a light source for scanning film can be used to scan 126 negatives, perhaps using a mask made with black paper. [16]
Giving analog photos new digital life can resurface long-buried memories and make them feel fresh. Millions of old analog photos are sitting in storage. Digitizing them can unlock countless memories
These images show 16mm Eastman Kodak keykode (top) and Fujifilm MR-code (bottom) The Fuji example was scanned from a positive print, but it shows the codes from the negative. Neither scan shows the manufacturer's information, which is repeated every 80 frames on 16mm film.