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The term "hi-fi," an abbreviation for high fidelity, was coined during this era to describe audio systems that aimed to reproduce sound with high accuracy and minimal distortion. The vinyl LP became popular during the 1950s, and the availability of affordable components such as turntables, speakers and amplifiers enhanced the sonic realism of ...
Other midi systems integrating a CD player were also increasingly common by this point. Integrated, mini, or lifestyle systems (also known by the older terms music centre or midi system [14] [15]) contain one or more sources such as a CD player, a tuner, or a cassette tape deck together with a preamplifier and a power amplifier in one box. A ...
The Fisher was the brand name for high-end, high quality hi-fi electronic equipment manufactured in New York by The Fisher Radio Corp. during the "golden age" of the vacuum tube, which was named after the company founder, Avery Fisher. [9] [10] [11] During this period, similar brands were H.H. Scott, Marantz, Harman Kardon, and McIntosh. Some ...
Realistic was a private label consumer electronics brand produced by RadioShack.Initially only a home audio equipment brand, its product line expanded to include CB radios, walkie-talkies, and video camcorders by the 1980s.
In 1984 Dixons acquired Currys, a retail chain with 570 shops selling electrical and other household goods; Currys retained its separate brand identity. [7]In February 1993, Dixons bought Vision Technology Group (VTG), operating under the PC World brand at Croydon, Lakeside Shopping Centre, Brentford and Staples Corner. [8]
E.H. Scott Radio Laboratories is sometimes confused with H.H. Scott. E.H. Scott was founded in 1925 by Chicago resident Ernest H. Scott. Its first product was the World's Record Super 8, a TRF (tuned radio frequency) design with typical harness wiring with 16 gauge silvered solid core copper wire employed in an array configuration that was typical to radios at the time. This construction ...
The CMI II was a high-level composition tool that not only shaped the sound of the 80s, but the way that music was actually written." [18] Fairlight kept making updates to the system, such as a 1983 upgrade called the CMI Series IIx, which now allowed for MIDI, until the release of Series III in 1985. [8]
In the 90s many electronic acts applied rock sensibilities to their music in a genre which became known as big beat. It fused "old-school party breakbeats" with diverse samples, in a way that was reminiscent of Old school hip hop. Big beat was criticised for dumbing down the electronica wave of the late 1990s.
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