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Etruscan vase painting was produced from the 7th through the 4th centuries BC, and is a major element in Etruscan art. It was strongly influenced by Greek vase painting , and followed the main trends in style over the period.
Etruscan vase paintings were produced from the 7th through the 4th centuries BC, and is a major element in Etruscan art. It was strongly influenced by Greek vase painting , followed the main trends in style, especially those of Athens , over the period, but lagging behind by some decades.
Painted around 510 BCE in the red figure pottery style, the Revelers vase was found in an Etruscan tomb in Vulci, Italy. The painting is attributed to Euthymides. The vase is an amphora (a type of vessel normally used for storage), painted with two scenes: one depicts three nude partygoers, and the other the Trojan hero Hector arming for battle.
The Pontic Group (or Pontic vases) is a sub-style of Etruscan black-figure vase painting. Diomedes and Polyxena, Pontic amphora by the Silenus Painter, circa 540/30 BC. Paris:Louvre. Stylistically, Pontic vases are very closely related to Ionic vase painting. It is assumed, that the vases were produced in Etruria by craftsmen who had emigrated ...
A Handbook of Greek Vase Painting. Sparks, NV: Falcon Hill Press, 1995. Mitchell, Alexandre G. Greek Vase-Painting and the Origins of Visual Humour. New York: Cambridge University Press, 2009. Noble, Joseph Veach. The Techniques of Painted Attic Pottery. New York: Watson-Guptill, 1965. Oakley, John Howard. The Greek Vase: Art of the Storyteller ...
Etruscan ivory pyxis and lid with sphinx-shaped handle, 650–625 BC. The Orientalizing period or Orientalizing revolution is an art historical period that began during the later part of the 8th century BC, when art of the Eastern Mediterranean and the Ancient Near East heavily influenced nearby Mediterranean cultures, most notably Archaic Greece.
Detail. Records in Italian courts of an investigation indicate that the krater was looted from an Etruscan tomb in the Greppe Sant'Angelo near Cerveteri in December 1971. The krater was sold to the Metropolitan Museum of Art by Robert E. Hecht, an American antiquities dealer living in Rome, for US$1.2 million on November 10, 1972. [5]
The Chigi vase itself is a polychrome work decorated in four friezes of mythological and genre scenes and four bands of ornamentation; amongst these tableaux is the earliest representation of the hoplite phalanx formation – the sole pictorial evidence of its use in the mid- to late-7th century, [6] and terminus post quem of the "hoplite reform" that altered military tactics.
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