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The Toccata and Fugue in D minor, BWV 565, is a composition for organ by, according to the oldest sources, German composer Johann Sebastian Bach and is one of the most widely recognisable works in the organ repertoire. [1]
BWV 564 – Toccata, Adagio and Fugue in C major; BWV 565 – Toccata and Fugue in D minor; BWV 566 – Toccata and Fugue in E major (also published in C major) BWV 566a – Toccata in E major (earlier version of BWV 566) BWV 567 – Prelude in C major (possibly by Johann Ludwig Krebs) [9] BWV 568 – Prelude in G major (doubtful) [9]
The third section is a brief flourish for manuals, ending with an even briefer pedal cadenza punctuated with 9-voice chords. The fourth section, in 3 4 time, is a second fugue with a rhythmic subject resembling the theme of the first fugue immediately followed by the fifth and final section that opens with a virtuous pedal-solo.
The chromatic fantasia begins as a toccata with fast, up and down surging runs in thirty-second notes (demisemiquavers) and broken chords in sixteenth-note (semiquaver) triplets, which are often diminished seventh chords lined up in semitones. The second part is a series of very clear and remotely modulating soft leading chords that are written ...
The second episode (bars 30–35) then modulates the fugue to G minor, then C minor. The subject is then restated in E-flat major. In the recapitulation, the subject is restated once again, still in E-flat major, then a coda (bars 45–48) leads to a perfect authentic cadence in the tonic. [3] [5] [6] Below are the first two statements of the ...
The Toccata (as a prelude) is proportionally the largest of all Bach's works in the format of prelude-fugue. It is often treated as a show piece, with the ensuing fugue omitted. The Toccata's rhythmic signature suggests a passepied or a musette, although the large scale of the movement does not support these characterizations.
Title page of the 1740s first edition of the Schübler Chorales. Sechs Chorale von verschiedener Art: auf einer Orgel mit 2 Clavieren und Pedal vorzuspielen (lit. 'six chorales of diverse kinds, to be played on an organ with two manuals and pedal'), commonly known as the Schübler Chorales (German: Schübler-Choräle), BWV 645–650, is a set of chorale preludes composed by Johann Sebastian Bach.
The Toccata and Fugue in D minor, BWV 538, is an organ piece by Johann Sebastian Bach.Like the better-known BWV 565, BWV 538 also bears the title Toccata and Fugue in D minor, although it is often referred to by the nickname Dorian – a reference to the fact that the piece is written without a key signature – a notation that leads one to assume the Dorian mode [citation needed].
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