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Sketch of Alban Berg by Emil Stumpp. The following is an incomplete list of the compositions of Alban Berg: Jugendlieder (1), composed 1901–4, voice and piano, published 1985 [1] "Herbstgefühl" (Siegfried Fleischer) "Spielleute" (Henrik Ibsen) "Wo der Goldregen steht" (F. Lorenz) "Lied der Schiffermädels" (Otto Julius Bierbaum)
Alban Maria Johannes Berg (/ b ɛər ɡ / BAIRG, [1] German: [ˈalbaːn ˈbɛʁk]; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School.His compositional style combined Romantic lyricism with the twelve-tone technique. [2]
Mitchell 2005, 334 Later composers, such as Peter Maxwell Davies (1934–2016), "have sometimes been seen as perpetuating the Expressionism of Schoenberg, Berg, and Webern", [11] and Heinz Holliger's (b. 1939) most distinctive trait "is an intensely engaged evocation of ... the essentially lyric expressionism found in Schoenberg, Berg and ...
Ballets to the music of Alban Berg (1 P) C. Chamber music by Alban Berg (3 P) Concertos by Alban Berg (2 P) O. Operas by Alban Berg (2 P) T.
Prime, retrograde, inverse, and retrograde-inverse permutations. The Second Viennese School (German: Zweite Wiener Schule, Neue Wiener Schule) was the group of composers that comprised Arnold Schoenberg and his pupils, particularly Alban Berg and Anton Webern, and close associates in early 20th-century Vienna.
The Seven Early Songs (Sieben frühe Lieder) (c. 1905 – 1908), are early compositions of Alban Berg, written while he was under the tutelage of Arnold Schoenberg.They are an interesting synthesis combining Berg's heritage of pre-Schoenberg song writing with the rigour and undeniable influence of Schoenberg.
Wozzeck (German pronunciation:) is the first opera by the Austrian composer Alban Berg.Composed between 1914 and 1922, it premiered in 1925. It is based on the drama Woyzeck, which German playwright Georg Büchner left incomplete at his death.
Alban Berg's Five Orchestral Songs after Postcards by Peter Altenberg (German: Fünf Orchesterlieder nach Ansichtskarten von Peter Altenberg), Op. 4, were composed in 1911 and 1912 for medium voice, or mezzo-soprano.