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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
[[Category:Music theory templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Music theory templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
having four semitones in its interval, major-thirds tuning repeats its open notes after three (12/4) strings; having six semitones in its interval, augmented-fourths tuning repeats its notes after two (12/6) strings. Regular tunings have symmetrical scales all along the fretboard. This makes it simpler to translate chords into new keys.
The note layouts on the fretboard of a guitar tuned in perfect 4ths, with arrows that show where the same note continues on a higher-pitched string. All adjacent strings have the same interval and repeat at the 5th fret, unlike standard guitar tuning which has an inconsistency between the 2nd and 3rd strings.
A multi-scale fingerboard or fretboard is typically based on two scale lengths, but could potentially incorporate more. The most typical use is one (long) scale length for the low string and a different, usually shorter, scale for the highest string. This could be achieved by angling the nut, and bridge, and fanning the frets. Strings between ...
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In standard tuning, playing scales of one octave requires three patterns, which depend on the string of the root note. [21] Chords cannot be shifted diagonally without changing finger-patterns. Standard tuning has four finger-patterns for musical intervals, [ 19 ] four forms for basic major-chords, [ 22 ] and three forms for the inversion of ...
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