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The Duke then proposes marriage to Isabella. Isabella does not reply, and her reaction is interpreted differently in different productions: her silent acceptance is the most common variation, and for Shakespeare's audiences, would have been interpreted as an unequivocal "yes", meaning that additional dialogue was unrequired.
In the time of William Shakespeare, there were commonly reckoned to be five wits and five senses. [3] The five wits were sometimes taken to be synonymous with the five senses, [3] but were otherwise also known and regarded as the five inward wits, distinguishing them from the five senses, which were the five outward wits.
18th-century depiction of the four temperaments: [1] phlegmatic and choleric above, sanguine and melancholic below The four temperament theory is a proto-psychological theory which suggests that there are four fundamental personality types: sanguine, choleric, melancholic, and phlegmatic.
Freud wrote several important essays on literature, which he used to explore the psyche of authors and characters, to explain narrative mysteries, and to develop new concepts in psychoanalysis (for instance, Delusion and Dream in Jensen's Gradiva and his influential readings of the Oedipus myth and Shakespeare's Hamlet in The Interpretation of Dreams).
In addition to the brief psychoanalysis of Hamlet, Freud offers a correlation with Shakespeare's own life: Hamlet was written in the wake of the death of his father (in 1601), which revived his own repressed childhood wishes; Freud also points to the identity of Shakespeare's dead son Hamnet and the name 'Hamlet'.
Christopher Sly is mentioned in the novel The Eyre Affair, by Jasper Fforde.A man named Victor Analogy explains that the reason why Christopher Sly does not appear after Act One of The Taming of the Shrew is because the character of Sly was, in fact, summoned out of the original copy of the play and thus was removed from the play's plot.
The comparison of the world to a stage and people to actors long predated Shakespeare. Richard Edwards' play Damon and Pythias, written in the year Shakespeare was born, contains the lines, "Pythagoras said that this world was like a stage / Whereon many play their parts; the lookers-on, the sage". [2]
The Tale of Genji by Lady Murasaki, written in 11th-century Japan, was considered by Jorge Luis Borges to be a psychological novel. [4] French theorists Gilles Deleuze and Félix Guattari, in A Thousand Plateaus, evaluated the 12th-century Arthurian author Chrétien de Troyes' Lancelot, the Knight of the Cart and Perceval, the Story of the Grail as early examples of the style of the ...