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Call Me (Blondie song) Call Me (Deee-Lite song) Call Me (Skyy song) Call Me Back Again; Call Me Maybe; Call Me Mr. Telephone (Answering Service) Call Me, Beep Me! The Call (Backstreet Boys song) Callin' Baton Rouge; Chantilly Lace (song) Clouds Across the Moon; Cordelia Malone
Milana Vayntrub was born on March 8, 1987, to a secular Ashkenazi Jewish family in Tashkent, Uzbekistan, then a Soviet republic. [5] [6] Her grandparents were from Ukraine.[7] [8] When she was two years old, she and her parents immigrated to the United States as refugees from antisemitism, [9] settling in West Hollywood, California.
The song plays over the final moments and end credits of first-season finale of the Netflix original series BoJack Horseman which aired on 22 August 2014. It was later used in an AT&T commercial in 2015. It was featured in the 2017 Netflix series Friends from College. WWE also used this song in a promo package to highlight former WWE Diva, AJ Lee.
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Fleet in studio c. 1982. In 1981, working alongside Jane Barbe, she began recording messages for the Audichron Company (now known as ETC) announcing time, temperature and weather, and was the voice of the Bell System's Automated Coin Toll System, quoting rates and collecting charges for coin-paid calls.
David Lucas (born David Helfman April 21, 1937) is an American rock and roll composer, singer, and music producer. He has written thousands of commercial jingles, such as AT&T's "Reach Out and Touch Someone." In 1981, he received a Clio Award for composing the music to Pepsi's "Catch That Pepsi Spirit."
The music video was directed by Dave Meyers and premiered on CMT, GAC and Vevo in January 2019. It begins and ends with Morris giving a spoken-word monologue about what it means to be a girl, and is interspersed with footage of Morris performing on stage, and various anonymous women going through hardships in life, as well Morris being critiqued by male music executive.
"Connection" is a song by Britpop group Elastica. It was originally released on 10 October 1994 as a single and included on their self-titled debut album in 1995. The song debuted and peaked at number 17 on the UK Singles Chart and became one of the few Britpop songs to gain popularity in North America, reaching number 53 on the US Billboard Hot 100, number two on the Billboard Modern Rock ...