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The rave movement developed a new graphic art style partially influenced by 1960s psychedelic poster art, but also strongly influenced by graffiti art, and by 1970s advertising art, yet clearly defined by what digital art and computer graphics software and home computers had to offer at the time of creation.
The genre's name was coined by journalist David Keenan in an August 2009 issue of The Wire to label the developing trend, which he characterized as "pop music refracted through the memory of a memory." [7] It was used interchangeably with "chillwave" or "glo-fi" and gained critical attention through artists such as Ariel Pink and James Ferraro. [5]
Dantalian's Chariot were a British psychedelic rock band formed in 1967, [1] led by keyboardist and bandleader Zoot Money, and also featuring Andy Summers (later of The Police). [2] They are best remembered for their single "Madman Running Through the Fields", [3] and for their live performances, which featured early psychedelic light shows. [4]
Liquid light shows (or psychedelic light shows) [not verified in body] are a form of light art that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.
The cultural significance of form constants, as Wees notes in Light Moving in Time is part of the history of abstract film and video. The practice of the ancient art of divination may suggest a deliberate practice of cultivating form constant imagery and using intuition and/or imagination to derive some meaning from transient visual phenomena.
This paint pouring technique creates the wildest effect on the canvas.
Cyberdelic art was created by calculating fractal objects and representing the results as still images, animations, underground, algorithmic music, or other media. Cyberdelic rave dance parties featured psychedelic trance music alongside laser light shows , projected images, and artificial fog , while attendees often used club drugs .
Michael English had studied art under Roy Ascott at Ealing Art College in West London between 1963 and 1966. [6] [8] [9] [10] He took part in Ascott's revolutionary Groundcourse, the first year of which focused on changing preconceptions and involved exercises such as students being subjected to continuous pulses of light and darkness in the lecture theatre before being asked to walk over a ...