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Still life of flowers in an urn on a stone ledge, with peaches and grapes. Pieter Faes or Peeter Faes (14 July 1750 – 22 December 1814) was a Flemish painter of still lifes of flowers and fruit. He worked in a decorative style close to that of Jan van Huysum. [1]
It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts, in Washington, D.C.. Ruysch has been recorded as making pendant paintings, with one painting of flowers (called a "bloemstuk") and another of fruit ("fruitstuk"), often on a forest floor. A pendant to this painting is unknown.
Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610).. The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [1] of his study of the artist).
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An example of a collaboration of van Thielen and Quellinus on a garland painting is a Stone Cartouche with the Virgin and Child in a Garland of Flowers (Chrysler Museum of Art) (1651), which is signed by both artists. Van Thielen painted the flower garland while his brother-in-law Erasmus Quellinus painted the cartouche. The cartouche painted ...
The formalised flower motif is often carved in stone or wood to create decorative ornaments for architecture and furniture, and in metalworking, jewelry design and the applied arts to form a decorative border or at the intersection of two materials. Rosette decorations have been used for formal military awards.
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