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In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Although in music instruction certain styles or repertoires of music are often identified with one of these descriptions this is basically added music [clarification needed] (for example, Gregorian chant is described as monophonic, Bach Chorales are described as homophonic and fugues as polyphonic), many composers use more than one type of ...
Bosnian root music is a polyphonic, or more commonly heterophonic music, which is usually sung by two singers. The first singer starts the song, and after some number of syllables the other joins in. Intervals used in this type of singing are minor and major second, which is characteristic for most of the Bosnian and Herzegovinian music, and some parts of Croatia.
Wagnerism: Art and Politics in the Shadow of Music. New York: Farrar, Straus and Giroux. ISBN 9780374285937; Sangild, Torben (2015). "Buñuel's Liebestod – Wagner's Tristan in Luis Buñuel's early films: Un Chien Andalou and L'Âge d'Or", in JMM: The Journal of Music and Meaning, vol. 13, 2014/2015, pp. 20–59. Retrieved 16 August 2017.
This corresponds to the view that gamelan music is heterophonic: the balungan is then the melody which is being elaborated. "An abstraction of the inner melody felt by musicians," [ 4 ] the balungan is, "the part most frequently notated by Javanese musicians, and the only one likely to be used in performance."
These are known as heterophonic names or heterophones (unlike heterographs, which are written differently but pronounced the same). Excluded are the numerous spellings which fail to make the pronunciation obvious without actually being at odds with convention: for example, the pronunciation / s k ə ˈ n ɛ k t ə d i / [ 1 ] [ 2 ] of ...
There were a few differences made for these cartoons; for example, an uncredited Sammy Timberg composed the music for Me Musical Nephews, while the music for Riot in Rhythm was by Winston Sharples. There is also no mention of Swee'Pea. Me Musical Nephews is in the public domain in the United States, as the copyright was not renewed. [3]