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Noh (能, Nō, derived from the Sino-Japanese word for "skill" or "talent") is a major form of classical Japanese dance-drama that has been performed since the 14th century. . It is the oldest major theater art that is still regularly performed today.
Bidou Yamaguchi (山口 毘堂, Yamaguchi Bidō), a master Noh mask carver in the Hōshō tradition, was born Yamaguchi Hiroki on February 28, 1970, in Fukuoka, Fukuoka, on the island of Kyūshū in Japan. As an outstanding figure in the younger generation, Bidou illustrates how this ancient Japanese art is being both perpetuated and renewed.
Noh is one of the four major types of Japanese theatre.. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment kyōgen; kabuki, a dance and music theatrical tradition; bunraku, puppetry; and yose, a spoken drama.
The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
The Museum's seven Important Cultural Properties are Tempest by Sesson Shūkei, [4] Ki no Tomonori from the series Thirty-Six Poetry Immortals formerly in the Satake Collection, [5] calligraphic works by or attributed to Ki no Tsurayuki, [6] Seisetsu Shōchō, [7] and Shūhō Myōchō (宗峰妙超), [8] the poetry collection Sanuki no Nyūdō-Shū, [9] and Box for a Noh mask with plovers in ...
This series of 100 prints was published in 1885–92 by Akiyama Buemon. The subjects are drawn from various sources in Japanese and Chinese history and literature, Kabuki and Noh theatre, and even contemporary Edo (modern Tokyo), linked only by the presence of the Moon in each print. The creation of mood according to the phase of the Moon was ...
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