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Some masks are representative and frequently used in many different plays, while some are very specific and may only be used in one or two plays. Noh masks signify the characters' gender, age, and social ranking, and by wearing masks the actors may portray youngsters, old men, female, or nonhuman (divine or demonic) characters.
In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters. The hannya is a mask that represents a female onryō (怨霊, vengeful spirit) even more resentful, jealous, and angry than the namanari (生成), a woman on the verge of becoming a demoness. [2] [3]
The Noh masks of the Konparu school are a set of 47 noh masks formerly owned by the famous Konparu family of noh actors and playwrights, now part of the collection of the Tokyo National Museum. These masks span five centuries, from the Muromachi to the Edo period (15th to 19th century), and are designated Important Cultural Properties.
Noh plays (44 P) Noh playwrights (8 P) Pages in category "Noh" ... Nagoya Noh Theater; National Noh Theatre; Noh masks of the Konparu school; Noh-men Joshi no Hanako-san;
The Shōjō Noh mask with a red tinge on its face, it is worn by the lead (nochishite) playing its part of the shōjō, [24] and used exclusively for this lead role, but nowhere else. [23] [5] [a] The costume of the Shōjō follows an overall red-color theme, a big red wig, and red clothing. [5]
Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. Kyōgen , its comic partner, served as a link between the theological themes of the Noh play with the pedestrian world by use of theatrical farce and slapstick.
Bidou Yamaguchi (山口 毘堂, Yamaguchi Bidō), a master Noh mask carver in the Hōshō tradition, was born Yamaguchi Hiroki on February 28, 1970, in Fukuoka, Fukuoka, on the island of Kyūshū in Japan.
The form no longer exists, and was probably a type of dance presentation. The bugaku developed from this – a complex dance-drama that used masks with moveable jaws. The nō or noh mask evolved from the gigaku and bugaku and are acted entirely by men. The masks are worn throughout very long performances and are consequently very light.
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