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Tsukimichi: Moonlit Fantasy (Japanese: 月が導く異世界道中, Hepburn: Tsuki ga Michibiku Isekai Dōchū, lit. "Journey in an Alternate World Guided by the Moon") is a Japanese light novel series written by Kei Azumi and illustrated by Mitsuaki Matsumoto.
The dwarf is revealed to be Beren, an Elder Dwarf capable of crafting artifacts. Beren also moves his village into Shen's dimension. Shen and the spider request personal names, so Makoto renames Shen Tomoe after Tomoe Gozen, and names the spider Mio. Makoto discovers while he is unconscious that Tomoe and Mio go recruiting and his village is ...
Tsukuyomi-no-Mikoto (ツクヨミノミコト, 月読命), [1] or simply Tsukuyomi (ツクヨミ, 月読) or Tsukiyomi (ツキヨミ), [2] is the moon kami in Japanese mythology and the Shinto religion. The name "Tsukuyomi" is a compound of the Old Japanese words tsuku (月, "moon, month", becoming modern Japanese tsuki) and yomi (読み ...
The following is a list of supernatural beings in Chinese folklore and fiction originating from traditional folk culture and contemporary literature.. The list includes creatures from ancient classics (such as the Discourses of the States, Classic of Mountains and Seas, and In Search of the Supernatural) literature from the Gods and Demons genre of fiction, (for example, the Journey to the ...
Kabigat (Bontok mythology): the goddess of the moon who cut off the head of Chal-chal's son; her action is the origin of headhunting [6] Bulan (Ifugao mythology): the moon deity of the night in charge of nighttime [7] Moon Deity (Ibaloi mythology): the deity who teased Kabunian for not yet having a spouse [8]
The titular character is a princess of the Moon while her love interest is from Earth; her reincarnation's civilian identity's name is "Usagi Tsukino" (a pun on the "Rabbit on the Moon"). In the video game series Touhou Project , Chang'e is the mysterious sworn enemy of Junko, [ 12 ] the final boss of the 15th game Legacy of Lunatic Kingdom .
Xianxia (traditional Chinese: 仙俠; simplified Chinese: 仙侠; pinyin: xiānxiá; lit. 'immortal heroes') is a genre of Chinese fantasy heavily inspired by Chinese mythology and influenced by philosophies of Taoism, Chan Buddhism, Chinese martial arts, traditional Chinese medicine, Chinese folk religion, Chinese alchemy, other traditional elements of Chinese culture, [1] and the wuxia genre.
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).