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A saijiki (歳時記, lit. "year-time chronicle") is a list of Japanese kigo (seasonal terms) used in haiku and related forms of poetry. An entry in a saijiki usually includes a description of the kigo itself, as well as a list of similar or related words, and some examples of haiku that include that kigo. [1]
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
A kigo (季語, 'season word') is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression.
For a guide to adding IPA characters to Wikipedia articles, see Template:IPA and Wikipedia:Manual of Style/Pronunciation § Entering IPA characters. Examples in the charts are Japanese words transliterated according to the Hepburn romanization system. See Japanese phonology for a more thorough discussion of the sounds of Japanese.
Many generalizations about Japanese pronunciation have exceptions if recent loanwords are taken into account. For example, the consonant [p] generally does not occur at the start of native (Yamato) or Chinese-derived (Sino-Japanese) words, but it occurs freely in this position in mimetic and foreign words. [2]
The series of kana ha hi fu he ho are used to represent, in some words, the sounds wa, i, u, e, o, respectively. Precedence is given to grammar over pronunciation. For example, the verb warau (to laugh) is written わらふ warafu, and in accordance with Japanese grammar rules, waraō, the volitional form of warau, is written わらはう warahau.
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Japanese wordplay relies on the nuances of the Japanese language and Japanese script for humorous effect, functioning somewhat like a cross between a pun and a spoonerism. Double entendres have a rich history in Japanese entertainment (such as in kakekotoba ) [ 1 ] due to the language's large number of homographs (different meanings for a given ...