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Nick Barat [3] (born January 25, 1981), [1] better known by his stage name Nick Catchdubs, is an American record producer and DJ from New Jersey. [4] He is a co-founder of Fool's Gold Records. [5] [6] He has also served as an associate editor at The Fader. [7] In 2013, Stereogum called him "the best party DJ in the game right now."
Fool’s Gold Records was founded in 2007 by DJs A-Trak and Nick Catchdubs.It established itself with releases bridging the worlds of all music genres together to the world while being dubbed an "indie innovator" by Billboard [2] and a "tastemaker" label by The New York Times, [3] and "one of the most influential indies in the music business" by Pitchfork. [4]
Kizzaland is the mixtape by Izza Kizza mixed by Nick Catchdubs. It was released as a free download on his weblog [1] in July 2008. Kizzaland includes mixes by Timbaland, Soul Diggaz and Koolade.
This music collective is what led Fool's Gold founder Nick Catchdubs, to sign Danny Brown to his indie record label. The album received critical acclaim, with critics highly praising Brown's unique rapping style and the album's production.
100 Miles & Running is the third official mixtape by Washington, D.C. rapper Wale.It was released on July 11, 2007. The mixtape was mixed by Nick Catchdubs and featured remixes of songs by Amy Winehouse, Lily Allen and Justice.
Izza's first mixtape, "Kizzaland", mixed by Nick Catchdubs, was made available as a free download in 2008 via his weblog, [5] sporting mixes by Timbaland, Soul Diggaz and Koolade. One of the songs from the mixtape, "Red Wine", was featured as the opening track of Paste Magazine's June 2008 New-Music Sampler CD. [2]
After moving to Williamsburg, he founded the label Fool's Gold Records with Nick Catchdubs and artist Dust La Rock in 2007. [47] A-Trak and Catchdubs, both DJs, curated a multi-genre roster and have been integral in supporting the rise of many prominent hip hop and electronic artists. [9]
Juggaknot's debut studio album, Clear Blue Skies, was released on the vinyl-only New York independent Fondle 'Em Records in 1996. [5] It is considered an underground classic by critics such as Exclaim! and HipHopDX.