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The chart debut as the Top Blues Albums in the issue dated September 2, 1995, as a 15-position chart with its first number one being Eric Clapton's From the Cradle. [ 1 ] Its introduction was a culmination of commercial realities at the time and a recognition of the "enduring legacy and artistic force of this timeless genre".
Slow jams with quiet storm elements continued to be produced through the 2000s and 2010s. [4] Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
A slow jam is music with rhythm and blues and soul influences. Slow jams are commonly R&B ballads or downtempo songs, and are mostly soft-sounding with heavily emotional or romantic lyrical content. The earliest known use of the term is from a July 1, 1961, article in The Chicago Defender .
This is a list of 1990s music albums that multiple music journalists, magazines, and professional music review websites have considered to be among the best of the 1990s and of all time, separated into the years of each album's release. The albums listed here are included on at least four separate "best/greatest of the 1990s/all time" lists ...
Regarded as a return to form, with exemplary slow jams, it was the third album of his comeback phase and contained the smash title track. The album also contained production akin to contemporary R&B, featuring electronic instrumentation and, particularly, the presence of a Linn Drum combined with White’s traditional symphonic arrangements.
Reflecting on the decade's musical developments in Christgau's Consumer Guide: Albums of the '90s (2000), music critic Robert Christgau said the 1990s were "richly chaotic, unknowable", and "highly subject to vagaries of individual preference", yet "conducive to some manageable degree of general comprehension and enjoyment by any rock and roller."
Quiet storm appropriates R&B and soul "slow jams" and recontextualizes them into rotations with their peers and predecessors. [15] Music journalist Jason King wrote, "Sensuous and pensive, quiet storm is seductive R&B, marked by jazz flourishes, 'smooth grooves,' and tasteful lyrics about intimate subjects.
For many of those responsible for its multi-platinum status, it is the album of the early '90s." [ 5 ] In a mixed review, Amy Linden from Entertainment Weekly wrote: "Reversing the usual sequence, the album starts with slow jams and saves the faster jams for last, which only serves to highlight how routine the slow stuff is.