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There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
Neigong practice is normally associated with the so-called "soft style", "internal" or neijia Chinese martial arts, as opposed to the category known as waigong 外功 or "external skill" which is historically associated with Shaolin kung fu or the so-called "hard style", "external" or waijia Chinese martial arts.
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
Other variations include "the clinging, fire" and "the net". Its inner (lower) trigram is ☲ (離 lí) radiance = (火) fire, and its outer (upper) trigram is identical. The origin of the character has its roots in symbols of long-tailed birds such as the peacock or the legendary phoenix.
The Neijing Tu (simplified Chinese: 內经图; traditional Chinese: 內經圖; pinyin: Nèijīng tú; Wade–Giles: Nei-ching t'u) is a Daoist "inner landscape" diagram of the human body illustrating Neidan ' internal alchemy ', Wu Xing, Yin and Yang, and Chinese mythology.
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
The Xingming guizhi (性命圭旨, Principles of Inner Nature and Vital Force) is a comprehensive Ming dynasty (1368-1644) text on neidan ("internal alchemy") self-cultivation techniques, which syncretistically quotes sources from the Three teachings of Daoism, Confucianism, and Buddhism (particularly the Yogachara school), and is richly illustrated with over fifty illustrations that later ...
During the medieval period (中世紀) Taoists developed the idea of the "true form" or zhenxing.The term "true form" denotes the original form something has as a part of the Dao (道, dào), which Taoists refer to as the "Great Image without form" (大象無形), [5] and can be applied to a broad range of things such as a deity, an icon, a purified self, a talisman, or a picture.