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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The painting depicts Jesus and the Apostles during the Last Supper, with Judas dressed in blue turning back towards the viewer and away from the table. Other than Jesus, the most prominent figure is Judas. Judas holds his right hand to his mouth with his eyes avoiding direct contact with the other figures in the painting creating a nervous ...
The triptych from the chapel of Santa Marta, of the ancient Archbishop's Palace at Fontelo, [2] [3] shows the Last Supper, with Judas leaving on the left panel. [4] It was selected as one of the ten most important artistic works in Portugal by the Europeana project.
Pages in category "Paintings of Judas Iscariot" ... The Last Supper (Leonardo) R. ... This page was last edited on 2 May 2024, ...
The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany.
The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his apostles in Jerusalem before his crucifixion. [2] The Last Supper is commemorated by Christians especially on Holy Thursday. [3] The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper". [4]
The organizers behind the Paris Olympics apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci's "The Last Supper" during Friday's opening ceremony and provoked outrage ...
Saints Peter and John flank Christ, with Judas the uneasy figure in red. Originally this painting was meant to be of the Last Supper as a replacement for the painting by Titian of the same subject that perished in a fire. [2] However, the subject was changed by Veronese after his trial before the Inquisition.