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Since Lady Gaga's "Bad Romance" in 2009, every video that has reached the top of the "most-viewed YouTube videos" list has been a music video. In November 2005, a Nike advertisement featuring Brazilian football player Ronaldinho became the first video to reach 1,000,000 views. [1] The billion-view mark was first passed by Gangnam Style in ...
The music video for LMFAO's song "Party Rock Anthem" stood as the most-liked video on YouTube in 2012, with 1.56 million likes, until the video for Psy's "Gangnam Style" surpassed it in September that year with more than 1.57 million likes.
The song's music video broke the records for the biggest music video premiere on YouTube, with 979,000 million concurrent viewers, [53] and the most-watched music video within 24 hours, with 56.7 million views in its first day. [54] It became the fastest video to reach 100 million views, in two days and 14 hours. [55]
YouTube Rewind 2018 is the single most disliked video on YouTube, receiving over 19 million dislikes since its upload on December 6, 2018. [1] This list of most-disliked YouTube videos contains the top 42 videos with the most dislikes of all time, as derived from the American video platform, YouTube's, charts. [2]
[9] [7] It was created and produced by YouTube and Portal A Interactive, [9] and features Rebecca Black, whose music video of her song "Friday" had gone viral in March of that year, as the host. [ 9 ] [ 11 ] Like in 2010, it featured another top-ten most-popular videos of the year on YouTube.
The video that currently holds this record is Taylor Swift's "Me!" with 65.2 million views. [34] In 2012, Nicki Minaj's "Stupid Hoe" became one of the first Vevo music videos to receive a significant amount of media attention upon its release day, during which it accumulated around 4.8 million views. The record has consistently been kept track ...
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A music video is a video that integrates a song or an album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings.