Search results
Results from the WOW.Com Content Network
The pindaric came to be commonly used for complimentary poems on births, weddings and funerals. Although the vogue of these forms hardly survived the age of Queen Anne , something of the tradition still remained, and even in the odes of Wordsworth , Shelley and Coleridge the broken versification of Cowley's pindarics occasionally survives.
For other uses, see Bard (disambiguation). Title-page of The Bard illustrated by William Blake, c. 1798 The Bard. A Pindaric Ode (1757) is a poem by Thomas Gray, set at the time of Edward I's conquest of Wales. Inspired partly by his researches into medieval history and literature, partly by his discovery of Welsh harp music, it was itself a potent influence on future generations of poets and ...
Pindar (/ ˈ p ɪ n d ər /; Ancient Greek: Πίνδαρος Pindaros; Latin: Pindarus; c. 518 BC – c. 438 BC) was an Ancient Greek lyric poet from Thebes.Of the canonical nine lyric poets of ancient Greece, his work is the best preserved.
Pindaric odes follow the form and style of Pindar. Horatian odes follow conventions of Horace; the odes of Horace deliberately imitated the Greek lyricists such as Alcaeus and Anacreon. Irregular odes use rhyme, but not the three-part form of the Pindaric ode, nor the two- or four-line stanza of the Horatian ode. The ode is a lyric poem.
The ode begins with a priamel, where the rival distinctions of water and gold are introduced as a foil to the true prize, the celebration of victory in song. [7] Ring-composed, [8] Pindar returns in the final lines to the mutual dependency of victory and poetry, where "song needs deeds to celebrate, and success needs songs to make the areta last". [9]
Most of Pindar's signature characteristics and signature style appear in this poem. Pindar utilizes religion, local mythology, and his poetic genius to create an ode that outlasts the occasion itself. The motif of the ode is harmony: harmony of the lyre and moral harmony of a life formed by justice, liberality, and the pleasure of the gods.
The poem is an irregular Pindaric ode in 11 stanzas that combines aspects of Coleridge's Conversation poems, the religious sentiments of the Bible and the works of Saint Augustine, and aspects of the elegiac and apocalyptic traditions. It is split into three movements: the first four stanzas discuss death, and the loss of youth and innocence ...
Olympian 9, 'For Epharmostus of Opus', is an ode by the 5th century BC Greek poet Pindar. [1] Background ... The Odes of Pindar, including the Principal Fragments ...