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The lord of this world is called Sunirmita (Pāli: Sunimmita); his wife is the rebirth of Visākhā, formerly the chief of the upāsikās (female lay devotees) of the Buddha. The beings of this world are 3,750 feet (1,140 m) tall and live for 2,304,000,000 years (Sarvāstivāda tradition). The height of this world is 640 yojanas above the Earth.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The earliest Buddhist texts explain that the four primary material elements are the sensory qualities solidity, fluidity, temperature, and mobility; their characterisation as earth, water, fire, and air, respectively, is declared an abstraction – instead of concentrating on the fact of material existence, one observes how a physical thing is ...
In Buddhism, the three worlds refer to the following destinations for karmic rebirth: Kāma-loka (world of desire), is a plane of existence typified by base desires, populated by hell beings, preta (hungry ghosts), animals, humans, lower demi-gods and gods of the desire realm heavens.
In Mahayana Buddhism, dharmadhatu means "realm of all phenomena", "realm of all things" (the entire universe with all visible and invisible things) or "realm of eternal truth". It is referred to by several analogous terms from Mahayana Buddhist philosophy, such as Tathata (Reality "as-it-is"), emptiness, dependent co-arising and eternal Buddha ...
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts. Called the Gohonzon, it was ...
In Buddhist literature as well as in Buddhist art, myth is also communicated using various Buddhist symbols which have become widespread across the Buddhist world. Among the earliest and most common symbols are the stupa (symbolizing the Buddha), the Dharma wheel (a symbol of the Dharma), the Bodhi Tree (and its leaves) and the lotus flower ...
Sahā or more formally the Sahā world (Sanskrit: sahāloka or sahālokadhātu) in Mahāyāna Buddhism refers to the mundane world, essentially the sum of existence that is other than nirvana. It is the entirety of conditioned phenomena, also referred to as the trichiliocosm .