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White dove with olive branch, stained glass window in the Denis and Saint Sebastian church in Kruft, Germany Doves are often associated with the concept of peace and pacifism . They often appear in political cartoons , on banners and signs at events promoting peace (such as the Olympic Games, at various anti-war/anti-violence protests, etc ...
The cross-section of each mullion or tracery bar was important both for the structural integrity of the window and for the visual effect. As can be seen in Viollet-le-Duc 's diagram (right) there was normally a roll-moulding on both the inside and outside of the windows, which made the mullions appear even more slender than they actually were.
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 167 windows illustrating biblical scenes, the lives of the saints and scenes from the ...
Images of the Good Samaritan windows at Bourges, Chartres, and Sens are provided by The Corpus of Medieval Narrative Art, an archive of high-resolution photographs of medieval narrative art, concentrating on French 13th-century stained glass. They are copyrighted by Dr Stuart Whiting and available for legitimate academic purpose.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
In architecture and other decorative arts, diaper is applied as a decorative treatment of a surface with a repeat pattern of squares , rectangles, or lozenges. Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1]
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