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In the United Kingdom the hexafoil is commonly found on churches, but also in barns and private buildings, as well as on cross slabs. [6] The use of the hexafoil as a folk magic symbol was brought from the United Kingdom to Australia by settlers, where six leaf designs with concentric circles have been found in homes and occasionally in public ...
White dove with olive branch, stained glass window in the Denis and Saint Sebastian church in Kruft, Germany Doves are often associated with the concept of peace and pacifism . They often appear in political cartoons , on banners and signs at events promoting peace (such as the Olympic Games, at various anti-war/anti-violence protests, etc ...
In architecture and other decorative arts, diaper is applied as a decorative treatment of a surface with a repeat pattern of squares , rectangles, or lozenges. Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1]
Whall window in Ewhurst Church The works of Veronica Whall provides a list of works carried out by Veronica Whall (1887–1967). Whall predominantly created stained glass works for churches and cathedrals. She started out assisting her father, Christopher Whall, in stained glass commissions, such as that at All Saints in Valescure, France, in 1918-19 and the St Christopher window in Sproughton ...
Geoffrey Webb was born into an artistic family of some note. His grandfather, Edward Webb, was a painter and printmaker; his uncles included Sir Aston Webb, the eminent architect; and his father, Edward Alfred Webb, was a watercolourist and antiquary who wrote a history of the Priory Church of St Bartholomew the Great in two volumes.
Jean-Jacques Duval (Feb. 8, 1930 - Oct. 21, 2021) [1] was a French-born American artist who pioneered abstract art and the use of faceted glass in stained glass design in the 1960s. In 2005 he was awarded the Lifetime Achievement Award by the Stained Glass Association of America. [ 2 ]
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
In addition to working with the stained glass art firms Burd also designed independently. She registered the copyright in some of her stained glass designs [11] and her illustrations [12] As well as her stained glass window design work, Burd also illustrated of children's books and magazine covers. She signed her work C M Burd or CMB.
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