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The Rosicrucian Egyptian Museum (REM) is devoted to ancient Egypt, located at Rosicrucian Park in the Rose Garden neighborhood of San Jose, California, United States. It was founded by the Ancient Mystical Order Rosae Crucis (AMORC). The Rosicrucian order continues to support and expand the museum and its educational and scientific activities.
Grand Egyptian Museum, Giza, Egypt: Over 100,000 artifacts [1] (due to being partly opened in 2018, currently housed in the Egyptian Museum, Cairo); British Museum, London, England: Over 100,000 artifacts [2] (not including the 2001 donation of the six million artifact Wendorf Collection of Egyptian and Sudanese Prehistory) [3] [4]
Museum of Fine Arts, Budapest, four mummies – the priestess Hortesnakht of Akhmim, [33] the lady Rer of Saqqara, [33] an unidentified man from the 4th or 3rd century BCE (known as "the mummy from Szombathely" after the location of the previous collection he was part of) [34] and a man from the 2nd century BCE (known as "the unwrapped mummy" as he was already unwrapped when the museum ...
U.S. president Richard Nixon thereafter visited Egypt, becoming the first American President to do so since the Second World War, and personally prevailed upon Egyptian president Anwar Sadat to permit the artifacts to tour the United States – with the U.S. tour including one more city than the Soviet tour had included, [clarification needed ...
The Michael C. Carlos Museum is an art museum located in Atlanta on the historic quadrangle of Emory University's main campus. The Carlos Museum has the largest ancient art collections in the Southeast, [1] including objects from ancient Egypt, Greece, Rome, the Near East, Africa and the ancient Americas.
Researchers have recreated the scent of an ancient Egyptian mummification balm that was used to preserve a noblewoman more than 3,500 years ago. A newly resurrected ancient smell may help reveal ...
In 2009, the William E. Upjohn Exhibit Wing was completed, adding more than 20,000 feet of study, storage, and display space in a climate-controlled facility; the new space allowed the museum, which previously had been displaying less than 1 percent of its collection, to dramatically expand the number of artifacts on public display.
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