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Tango Argentino recreates on stage the history of tango from its beginnings in 19th-century Buenos Aires through the tango's golden age of the 1940s and 50s up to Piazzolla's tangos. [3] Most of the dancers in the show did their own choreography. [4] Tango Argentino was a totally unexpected hit.
In June 2006 the orchestra took part once again in the Buenos Aires Tango III Festival in Chaillot National Theatre in Paris, and also performed again in Stuttgart. In September, El Arranque performed in the first Buenos Aires Tango Festival at the Auditorium Parco della Musica in Rome and in the Biennale de la Danse in Lyon. In December they ...
Gustavo Naveira and Giselle Anne. Milonguero-style tango, also known as estilo milonguero (in Buenos Aires, known by name Estilo del centro because it originates from downtown milongas where dance floors were crowded) or apilado (piled up, stacked), is a close-embrace style of social tango dancing in which the focus is inward and the leg and arm movements are kept small. [4]
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a 2 4 or 4 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by nostalgia, sadness, and laments for lost love.
El Cabaret hosts the number-one tango show in Buenos Aires, "Rojo Tango". The hotel forms the core of the larger Faena District in Buenos Aires. Faena worked with Norman Foster to create the Faena Aleph Residences - Foster and Partners' first project in Latin America, completed in January 2013. [5]
The museum was established on June 28, 1990, by national decree with the aim of collecting, sorting, reviewing and saving from loss or destruction the cultural heritage of the tango. [citation needed] The founder and first president was the poet and tango lyricist Horacio Ferrer. [citation needed]
Gran Orquesta TangoVia Buenos Aires is an orchestra made up by many of the most prominent musicians of the new generation of tango.Created by the non-profit organization TangoVia Buenos Aires in 2003, the orchestra's main goal is to celebrate the art of tango by means of special productions to recover forgotten repertoires or perform the works of new composers.
Copes was the first to create choreographed tango stage shows. [9] His credits included chief choreographer of Ástor Piazzolla's María de Buenos Aires (1968). [11] He also choreographed Tangos Para El Mundo, Copes Tango Show, Entre Borges y Piazzolla and Sentimiento de Tango. [12] Copes worked on seven films. [1]
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