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The Tengwar (/ ˈ t ɛ ŋ ɡ w ɑː r /) script is an artificial script, one of several scripts created by J. R. R. Tolkien, the author of The Lord of the Rings. Within the context of Tolkien's fictional world, the Tengwar were invented by the Elf Fëanor, and used first to write the Elvish languages Quenya and Telerin.
"Sarati" in Tolkien's first Elvish script, Sarati. Tolkien wrote out most samples of Elvish languages with the Latin alphabet, but within the fiction he imagined many writing systems for his Elves. The best-known are the "Tengwar of Fëanor", but the first system he created, c. 1919, is the "Tengwar of Rúmil", also called the sarati.
Later a great number of languages of Middle-earth were written using the Tengwar, including Sindarin. Tolkien used Tengwar to write samples in English. [9] The inscription on the One Ring, a couplet in the Black Speech from the Ring Verse, was written in the Elvish Tengwar script, with heavy flourishes, as Mordor had no script of its own. [10]
The first published monograph dedicated to the Elvish languages was An Introduction to Elvish (1978) edited by Jim Allan (published by Bran's Head Books). It is composed of articles written before the publication of The Silmarillion. Ruth Noel wrote a book on Middle-earth's languages in 1980.
Vinyar Tengwar (broken Quenya for "News Letters") is a refereed journal [10] (ISSN 1054-7606) published by the Elvish Linguistic Fellowship, dedicated to the study of the languages constructed by J. R. R. Tolkien. The publication is indexed by the Modern Language Association. [11]
The Elvish languages are a family of several related languages and dialects. The following is a brief overview of the fictional internal history of late Quenya as conceived by Tolkien. Tolkien imagined an Elvish society with a vernacular language for every-day use, Tarquesta, and a more educated language for use in ceremonies and lore ...
An English translation is provided in the book. "Namárië" has been set to music by The Tolkien Ensemble, by the Finnish composer Toni Edelmann for a theatre production, and by the Spanish band Narsilion . Part of the poem is sung by a female chorus in a scene of Peter Jackson's The Fellowship of the Ring to music by Howard Shore.
Since then, usage of Elvish has flourished in poems and texts, phrases and names, and tattoos. But Tolkien himself never intended to make his languages complete enough for conversation; as a result, newly invented Elvish texts, such as dialogue written by the linguist David Salo to be sung to the musical score for Peter Jackson 's Lord of the ...