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Phonk (/ f ɒ ŋ k / ⓘ) is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The style is characterized by vocals from old Memphis rap tapes and samples from early 1990s hip hop, especially cowbell samples resembling that of the Roland TR-808 drum machine.
This is a category containing musical artists who produce, perform, write, or DJ phonk music. Pages in category "Phonk musicians" The following 4 pages are in this category, out of 4 total.
Xu Wei (musician), male singer, rock musician Huo Zun, male singer, artist, composer; Eason Chan, a male singer from Hong Kong; Wang Leehom, male singer; Chan Wing-wah, composer
Example of a g-funk instrumental. G-funk, short for gangsta funk, (or funk rap [5]) is a sub-genre of gangsta rap that emerged from the West Coast scene in the early 1990s. The genre is heavily influenced by the synthesizer-heavy 1970s funk sound of Parliament-Funkadelic (aka P-Funk), often incorporated through samples or re-recordings. [4]
The music of China consists of many distinct traditions, often specifically originating with one of the country's various ethnic groups. It is produced within and without the country, involving either people of Chinese origin, the use of traditional Chinese instruments, Chinese music theory, or the languages of China. It includes traditional ...
Zaytoven, whose beats heavily influenced the emergence of plugg music. The origins of plugg music are traced to the gospel and soul-influenced production style of Zaytoven, [12] and other southern rap influences, such as OutKast, [12] as well as to a loosely related subgenre of hip-hop called Chicago bop, which is a euphoric, fast-paced subgenre of drill music. [13]
In 2008, Cook recorded with his then touring band, Sunny Acres, and released his debut LP Hot Times.The record won a Music Nova Scotia Country/Bluegrass Recording of the Year award, was nominated for an East Coast Music award, and named the eighth Best Canadian Country Album of 2008 by Country Music News.
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...