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Category: Middle Eastern art. ... Middle Eastern objects in the British Museum (2 C, 52 P) C. Coptic art (1 C, 6 P) E. Egyptian art (8 C, 8 P) I. Iranian art (14 C, 30 P)
The Syrian Desert (Arabic: بادية الشام Bādiyat Ash-Shām), also known as the North Arabian Desert, [1] the Jordanian steppe, or the Badiya, [2] is a region of desert, semi-desert, and steppe, covering about 500,000 square kilometers (200,000 square miles) of West Asia, including parts of northern Saudi Arabia, eastern Jordan, southern Syria, and western Iraq.
In the 20th century, an art revival, which combined both tradition and modern techniques, produced many notable poets, painters and sculptors who contributed to the inventory of public artworks, especially in Baghdad. These artists are highly regarded in the Middle East, and some have earned international recognition.
The Rub' al Khali [note 1] (/ ˈ r ʊ b æ l ˈ k ɑː l i /; [1] Arabic: ٱلرُّبْع ٱلْخَالِي, [ar.rʊbʕ‿al.χaːliː]) or Empty Quarter is a desert [2] encompassing most of the southern third of the Arabian Peninsula.
The Rub' al-Khali desert is a sedimentary basin stretching along a south-west to north-east axis across the Arabian Shelf. [5] At an altitude of 1,000 metres (3,300 ft), rock landscapes yield to the Rub' al-Khali, a vast stretch of sand whose extreme southern point crosses the center of Yemen.
English: Stark desert landscape with ethereal rock formations. White Desert is a site of cliffs, dunes and large white chalk rock formations, created through erosion by wind and sand. White Desert, part of Saharan Libyan Desert, some 30 km to the east of Al-Farafra, Egypt.
The Harrat near Jawa in eastern Jordan. The Ḥarrat al-Shām (Arabic: حَرَّة ٱلشَّام), [1] [nb 1] also known as the Harrat al-Harra, Harrat al-Shaba, [2] Syro-Jordanian Harrah, [3] and sometimes the Black Desert in English, [4] is a region of rocky, basaltic desert stretching from southern Syria starting at the Hauran region all the way down to the northern Arabian Peninsula. [3]
The Jordanian art historian, Wijdan Ali has argued that the traditional Islamic aesthetic evident in craft-based work was displaced by the arrival of colonialism in North Africa and the Middle East. [6] However, in the decolonised period of the 20th-century, a contemporary art form combining tradition and modern influences can be observed. [7]